Tracing the Margins of Indeterminacy, Sawatari Onsen Community Center, in the context of the Nakanojo Artist in Residence program and Nakanojo Biennale, Gunma, Japan.
Promethean Leaps, Turn Another Round, Sendai, Japan.
Risikolandschaften, Meinblau Projektraum, Berlin, Germany.
Fear Filter, Marzahner Promenade 40, Berlin, Germany.
Tipping Point, with Sutthirat Supaparinya, Kunstraum Memphis, Linz, Austria.
Standardized Waters, with Dimitra Dimopoulou, George Tigkas, Jerome Aizpuro Suplemento, Krini Dimopoulou, Manolis D. Lemos and Vincent Grunwald, Seccma Trust, Athens, Greece.
Green Room, group exhibition curated with STRATAGRIDS, PiK, Cologne, Germany.
Width Gap Infinitude, with STRATAGRIDS, Minibar, Stockholm, Sweden.
The Greece of Asia, Gachang, Daegu Foundation for Culture, Daegu, South Korea.
Customized Risk, with Vincent Grunwald and David Kunold, Earth Gallery, Dresden, Germany.
Modeling Catastrophe. A Test Arrangement, Studio 1—8—5, Shinagawa-Ku, Tokyo, Japan.
Fantasdyne, with Kevin Kemter, Kunst und Seele, Berlin, Germany.
Do You Miss The Future?, Hyundai Motor Studio, Busan, South Korea.
Kartoffelmuseum Nr.7, Stallmuseum, Groß Fredenwalde, Germany.
SOLO, Kino Babylon Kreuzberg, Berlin, Germany.
Nakanojo Biennale, Gunma, Japan.
Engaging with Histories, Projektraum Römerstrasse, Akademie Schloss Solitude, Stuttgart, Germany.
Architectural Ethnography: Portraits on Livelihood, Japan Pavilion at the 16th Venice Architecture Biennale, Venice, Italy.
Archive of Heat and Cold. How the Bauhaus Came to Weimar, with STRATAGRIDS, Kunstfest Weimar, Museum of Pre- and Ancient History and ACC Galerie, Weimar, Germany.
Wayfarer, Korean Cultural Foundation, Berlin, Germany.
Micro City Lab, Indie Art Hall Gong, Seoul, South Korea.
Staging Distance, with STRATAGRIDS, Zeiss Großplanetarium, Berlin, Germany.
Collapse, Hapjeongjigu, Seoul, South Korea.
CHEZ EUX: Unseen Collections, Circuits and Currents, Athens, Greece.
Deep Inside, 5th Moscow International Biennale for Young Art, Moscow, Russia.
Trembling Spaces, Projektraum Römerstrasse, Akademie Schloss Solitude, Stuttgart, Germany.
OEI c/o Konstmuseet – STRATA, with STRATAGRIDS, Skövde Konstmuseum, Skövde, Sweden.
Pixelache Festival, with STRATAGRIDS, MUU Gallery, Helsinki, Finland.
Synthesis and Ιntegration, Gallery Vkhutemas, Moscow, Russia.
Annual exhibition, Galerie M, Communal gallery of Berlin-Marzahn, Berlin, Germany.
Demonstrations with STRATAGRIDS, as part of A Matter Theater as part of The Anthropocene Project. A Report, House of the Cultures of the World (HKW) Berlin, Germany.
Hortus Semper Virens, Haus am Lützowplatz, Berlin, Germany.
Kongress der Artikulation, Kunstraum Kreuzberg/Bethanien, Berlin, Germany.
Distant Observations. Fukushima in Berlin, Kunstraum Kreuzberg/Bethanien, Berlin, Germany.
Macht. Wahn. Vision. Der Turm und urbane Giganten in der Skulptur, Städtische Museen Heilbronn, Germany.
Future Ruins: Obsolescence and Inoperativity, Bergen Arkitektskole, Bergen, Norway.
Ende, danke. open end, with STRATAGRIDS, Kunsthaus M1, Hohenlockstedt, Germany.
Lark/Plunge, Atelierhof Kreuzberg, Berlin, Germany.
Pentimenti, Kleine Humboldt Galerie, Berlin, Germany.
Saint Ghetto, ReMap 2, Athens, Greece.
Hosting, with JAZZSTYLECORNER, International Biennale of Landscape Urbanism, Museum of Bat Yam, Bat Yam, Israel.
Modeling Catastrophe. Preliminary Remarks, AKV Berlin.
Daisaigai no moderu wo tsukuru. Kokoromi to shite no kōsō [大災害のモデルをつくるー試みとしての構想], transl.: The Greece of Asia, AKV Berlin, 2020. (Japanese)
Measuring Infinity. A Test Arrangement [with STRATAGRIDS], AKV Berlin.
Flexible Signposts to Coded Territories, AKV Berlin.
Risk as Immaterial Raw Material, in House of the Cultures of the World: Technosphere Magazine, Berlin.
Measuring Infinity [with STRATAGRIDS], in K. Klingan et al. (eds.): Grain, Vapor, Ray: Textures of the Anthropocene, Revolver Publishing, Berlin; MIT Press, Cambridge, MA and London.
Speeding Sediments — On Humans and Grounds [with STRATAGRIDS], in J. Magnusson, C. Grönberg (eds.): OEI # 63–64 Strata: geologisk tid, jordkonst/Land art i Sverige, Stockholm.
Heralds of nemesis — Constants of the Near End, in D. Bricks (ed.): Loofy Magazine #5: The Fiction of American Landscape Fiction, AKV Berlin.
Implying the Existence of a Centre — the marginal studies of Apopericho, in D. Bricks (ed.): Loofy magazine #4, AKV Berlin.
Re-touch the Field, Kyū Inoue Chikusan, Nakanojo Artist in Residence, Japan.
Modeling Catastrophe, Mitate Lab, Sessions on Post-Fukushima Studies (online).
Locating Immeasurable Pasts and Futures, Engaging with Histories, Theater Rampe/Akademie Schloss Solitude, Stuttgart, Germany.
Architectural Ethnography: Portraits on Livelihood, Japan Pavilion at the 16th Venice Architecture Biennale, Giardini della Biennale, Venice, Italy.
Bilder des Beispiellosen, Nach der ikonischen Wende. Aktualität und Geschichte eines Paradigmas, Zürcher Hochschule der Künste, Switzerland.
3rd United Nations World Conference on Disaster Risk Reduction (WCDRR), Sendai, Japan.
Anthropocene Campus, Haus der Kulturen der Welt, Berlin, Germany.
Research fellow at Brandenburg Centre for Media Studies (ZeM), Potsdam, Germany.
Research fellow at the DFG Research Training Group ‘Visibility and Visualisation. Hybrid Forms of Pictorial Knowledge’, University of Potsdam, Germany.
STRATAGRIDS research collective with Max Stocklosa and Daniel Wolter (currently at rest).
Meisterschüler (MA), Berlin University of the Arts, Class of Sculpture and New Media.
Nakanojo Artist in Residence, Japan.
Künstlerdorf Schöppingen Foundation, Germany.
Gachang Art Space, Daegu Foundation for Culture, South Korea.
Akademie Schloss Solitude, Stuttgart, Germany.
Elsa-Neumann-Scholarship, Berlin, Germany.
Bernhard-Heiliger-Scholarship, Bernhard Heiliger Foundation, Berlin, Germany.
Publication Sponsorship, Stiftung Kunstfonds, Germany.